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Final Cut Pro 10 2 2

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Apple has released updates to Final Cut Pro X to version 10.2, Motion to version 5.2 and Compressor to version 4.2. A lot of new eye-candy, some much needed new features and some large speed gains. Their 15th update to FCPX is still free and available for download now.

My favorite five features from the new Final Cut Pro X 10.2 Update. Gear I use Camera I use: New favorite lens for it: https://amzn. E' uscito Final Cut 10.2.1 Lasciatevi guidare attraverso le innovazioni che realmente cambieranno il vostro modo di montare e lasciate perdere le feature inutili: insomma guardate questo video. Final Cut Studio 2 delivers an integrated post-production solution that lets you move effortlessly from editing to color grading to creating motion graphics to sculpting audio to multiformat encoding and DVD authoring. This powerful new version features Final Cut Pro 6, Motion 3, Soundtrack Pro 2, Compressor 3, DVD Studio Pro 4, and Color, the. Prerelease Final Cut Pro X tested on prerelease macOS Catalina, using a complex 2-minute project with a variety of media up to 3840x2160 resolution. Performance tests are conducted using specific computer systems and reflect the approximate performance of iMac Pro and MacBook Pro. Prerelease Final Cut Pro 10.4.9 with prerelease plugins from RED Apple Workflow Installer v16, and Final Cut Pro 10.4.8 with plugins from RED Apple Workflow Installer v15 tested on macOS Catalina, using an 11-second project with REDCODE® RAW 4:1 video, at 8192x4320 resolution and 23.98 frames per second, transcoded to Apple ProRes 422.

Apple update Final Cut Pro X to 10.2, Motion to 5.2 and Compressor to 4.2

Final

Apple have surprised us again by releasing updates to the three professional video applications on the first day of NAB 2015. All the updates are free, which is a huge feature increase from when FCPX was first released.

Yes, the icons have had a makeover, looking a bit flatter than before!

We will look at the applications one by one, picking out the new main features, starting with FCPX. Don't forget to backup before you install!

(Please not all images are Digimarked)

Final Cut Pro X 10.2

Fully featured 3D titles.Control 3D text parameters directly in FCPX. You can change materials, lighting and edges all in the inspector. Open up effects in Motion to customise further. Many cinematic templates provided. 2D titles can be converted into 3D with one click. This would explain the price cuts of similar 3D 3rd party plugins!
Smart Collections at the Library level. 5 supplied as a start such as projects and stills, but you can delete them and make your own.
You can now draw a mask with linear, bezier or B Splines smoothing. The mask can have unlimited control points and the the points can be animated over time. The masks can be used on any built-in effect or third party product.
Reorder the correction in the inspector to make sure the correct sequence of operation (like applying a broadcast safe filter) You can also drag & drop and save a multilayer effect as a preset.
Up to 4 Video Scopes on the screen at once. Graders rejoice at the choice from the pull-down menu.
Now consolidated onto one page. The sidebar means you don't have to go to a second page to access the import preferences.
Caching of waveforms to improve performance over a network. (No word on if this will fix the growing file problem)
Also an option to export previous XML versions to improve third party compatibility.
Red Raw GPU-accelerated playback, rendering, and transcoding—including support for dual GPUs on Mac Pro. FCPX now reads the anamorphic flag for the correct widescreen display. Expect a 3.2x improvement on render times and a 2.4x improvement on optimisation to ProRes than 10.1.4. The latest RED plugin needs it be installed.

Final Cut Pro 10.2 Download

Now uses GPU Rendering. Expect up to a 3.3x increase when encoding ProRes 422. Support for dual GPUs on the MacPro and integrated graphics cards on laptops.
Now no need to install Sony's plugin for XAVC and XDCAM. Panasonic AVC-Ultra, Sony XAVC S, and JVC H.264 Long GOP files now supported. We believe XAVC L to be supported, but only when importing from a camera card or archive. This is great news for Sony FS7 owners. (Yes you Philip!)

Other Improvements, Features 7 Bug Fixes

  • Enhanced Optical Flow with new algorithms and more format compatibility.
  • Instantly display the alpha channel for any effect mask
  • Improved keyframing with better motion smoothing
  • CABAC entropy mode for multi-pass encoding
  • Transform controls work correctly with photos in a secondary storyline
  • Resizable Filter window for searching
  • Slo-mo video clips from iPhone appear in the Browser with a badge
  • Full-screen playback does not automatically superimpose transport controls
  • Improved performance when skimming Long GOP video including AVCHD
  • Exporting a Master File using i-Frame codecs like ProRes can play in QuickTime Player before the export completes
  • Support for XAVC S video recorded at 120 fps and 240 fps
  • MXF-wrapped AVC-Intra and Uncompressed files export faster

Steam keygen to all games 100 working credit. Final Cut Pro X is $299.99 on the Mac App Store and requires Yosemite 10.10.2. Free update for current users.

MOTION 5.2

3D Titles
Build 3D titles from scratch with easy-to-use templates, or open any existing title from Final Cut Pro. Customize the look of your 3D text with organic and artificial materials, or create your own materials that you can save and use later.

You can also take advantage of powerful surface-shading options in Motion, including texture maps, diffuse and specular reflection, and bump mapping. Cast shadows from any 3D title onto itself and other objects in a 3D scene, or add multiple lights, cameras, and tracking shots to create epic designs.

Only text can be in 3D, shapes are not supported. This does offer quite a bit of flexibility, the Jurassic World logo is an example.

Customisable patterned backgrounds
Work natively with Panasonic AVC-Ultra, Sony XAVC S, and JVC H.264 Long GOP files.

Other Improvements, Features & Bug Fixes

Final Cut Pro 10 2 2

Apple have surprised us again by releasing updates to the three professional video applications on the first day of NAB 2015. All the updates are free, which is a huge feature increase from when FCPX was first released.

Yes, the icons have had a makeover, looking a bit flatter than before!

We will look at the applications one by one, picking out the new main features, starting with FCPX. Don't forget to backup before you install!

(Please not all images are Digimarked)

Final Cut Pro X 10.2

Fully featured 3D titles.Control 3D text parameters directly in FCPX. You can change materials, lighting and edges all in the inspector. Open up effects in Motion to customise further. Many cinematic templates provided. 2D titles can be converted into 3D with one click. This would explain the price cuts of similar 3D 3rd party plugins!
Smart Collections at the Library level. 5 supplied as a start such as projects and stills, but you can delete them and make your own.
You can now draw a mask with linear, bezier or B Splines smoothing. The mask can have unlimited control points and the the points can be animated over time. The masks can be used on any built-in effect or third party product.
Reorder the correction in the inspector to make sure the correct sequence of operation (like applying a broadcast safe filter) You can also drag & drop and save a multilayer effect as a preset.
Up to 4 Video Scopes on the screen at once. Graders rejoice at the choice from the pull-down menu.
Now consolidated onto one page. The sidebar means you don't have to go to a second page to access the import preferences.
Caching of waveforms to improve performance over a network. (No word on if this will fix the growing file problem)
Also an option to export previous XML versions to improve third party compatibility.
Red Raw GPU-accelerated playback, rendering, and transcoding—including support for dual GPUs on Mac Pro. FCPX now reads the anamorphic flag for the correct widescreen display. Expect a 3.2x improvement on render times and a 2.4x improvement on optimisation to ProRes than 10.1.4. The latest RED plugin needs it be installed.

Final Cut Pro 10.2 Download

Now uses GPU Rendering. Expect up to a 3.3x increase when encoding ProRes 422. Support for dual GPUs on the MacPro and integrated graphics cards on laptops.
Now no need to install Sony's plugin for XAVC and XDCAM. Panasonic AVC-Ultra, Sony XAVC S, and JVC H.264 Long GOP files now supported. We believe XAVC L to be supported, but only when importing from a camera card or archive. This is great news for Sony FS7 owners. (Yes you Philip!)

Other Improvements, Features 7 Bug Fixes

  • Enhanced Optical Flow with new algorithms and more format compatibility.
  • Instantly display the alpha channel for any effect mask
  • Improved keyframing with better motion smoothing
  • CABAC entropy mode for multi-pass encoding
  • Transform controls work correctly with photos in a secondary storyline
  • Resizable Filter window for searching
  • Slo-mo video clips from iPhone appear in the Browser with a badge
  • Full-screen playback does not automatically superimpose transport controls
  • Improved performance when skimming Long GOP video including AVCHD
  • Exporting a Master File using i-Frame codecs like ProRes can play in QuickTime Player before the export completes
  • Support for XAVC S video recorded at 120 fps and 240 fps
  • MXF-wrapped AVC-Intra and Uncompressed files export faster

Steam keygen to all games 100 working credit. Final Cut Pro X is $299.99 on the Mac App Store and requires Yosemite 10.10.2. Free update for current users.

MOTION 5.2

3D Titles
Build 3D titles from scratch with easy-to-use templates, or open any existing title from Final Cut Pro. Customize the look of your 3D text with organic and artificial materials, or create your own materials that you can save and use later.

You can also take advantage of powerful surface-shading options in Motion, including texture maps, diffuse and specular reflection, and bump mapping. Cast shadows from any 3D title onto itself and other objects in a 3D scene, or add multiple lights, cameras, and tracking shots to create epic designs.

Only text can be in 3D, shapes are not supported. This does offer quite a bit of flexibility, the Jurassic World logo is an example.

Customisable patterned backgrounds
Work natively with Panasonic AVC-Ultra, Sony XAVC S, and JVC H.264 Long GOP files.

Other Improvements, Features & Bug Fixes

  • Improved keyframing, including copy and paste in the Timeline
  • Improved mask and shape creation plus conversion to bezier shape for more control
  • Background Share monitoring from within Motion
  • Improved performance on Intel-based GPUs
  • Better performance of FxPlug plug-ins and built-in effects that use multiple frames like Echo and Trails
  • Improved stability when loading projects with missing filters or fonts
  • Choosing a smooth option on an already smooth point no longer changes the curve
  • Checkbox parameters display in the curve editor
  • Double-clicking to add a new keyframe in the Curve Editor no longer changes interpolation of subsequent keyframes
  • The Keyframe Editor vertical scroll bar displays the entire graph
  • Keyframe Editor time scale is consistent

Motion 5.2 is $49.99 on the Mac App Store and requires Yosemite 10.10.2. Free update for current users.

COMPRESSOR 4.2

iTunes Store Package

Compressor makes it simple to create an iTunes Store Package for submission to the iTunes Store. Easily add your movie, trailer, closed captions, and subtitles to your iTunes Store Package. You can even identify language tracks and regions and add other required metadata right in Compressor.

Once you've created your package, send it to an Apple-certified iTunes delivery partner for fast delivery to the iTunes Store.

The Charles Lloyd documentary is the first film on the iTunes Store to have been delivered using the Compressor 4.2. It's the fastest way to get your film on the store. Don't get excited however, this is not a one click publish to iTunes and make money scenario, you still have to go through an approved delivery partner such as ZOO Digital.

View closed captions and subtitles in real time, right in the Preview window. Simply click the CC button to enable text overlays. You can even customize the look of your text in the Accessibility pane within OS X System Preferences.
Export using high-quality, multipass H.264 encoding at speeds nearly 3x faster than before on supported hardware.

Other New features

  • Zoom in the Preview window to watch content with true pixel accuracy
  • Automatic bit-rate calculation for MPEG-4 and H.264 QuickTime movie settings
  • Channels can be assigned to QuickTime audio tracks prior to processing
  • Optional matrix stereo down-mix when processing surround sound for QuickTime output
  • CABAC entropy mode for multipass encoding
  • Jobs submitted via Droplet now appear in the Active and Completed tabs
  • Improved stability when using Apple AES3 Audio format with ProRes 422 HQ

Chatty for facebook messenger 2 4 6. Compressor 4.2 is $49.99 on the Mac App Store and requires Yosemite 10.10.2. Free update for current users.

Work at a faster clip.

Final Cut Pro Versions

With its modern Metal engine, Final Cut Pro allows you to edit more complex projects and work with larger frame sizes, higher frame rates, and more effects — all at blazing speeds. And it's built to harness the extreme power of the new Mac Pro for next-level performance.

Accelerated performance with Metal

Metal dramatically accelerates graphics tasks like rendering, real-time effects, and exporting. Video editors on 15-inch MacBook Pro will benefit from render performance that is up to 20% faster while editors using iMac Pro will see gains of up to 35%.1 And when you're working on a system with an eGPU attached, you can select which GPU to use — internal or external — for peak performance.

Optimized for the all-new Mac Pro

For the ultimate editing experience, run Final Cut Pro on the world's fastest Mac, the new Mac Pro. Final Cut Pro takes advantage of all the GPUs in Mac Pro and uses multithreading to spread tasks across up to 28 cores. And when equipped with the optional Afterburner card, Mac Pro delivers the fastest ProRes performance ever. So you can do things like edit video, create motion graphics, and color grade in groundbreaking 8K resolution. All at maximum velocity.

The tools you need. From start to finishing.

With innovative features and an intuitive design, Final Cut Pro accelerates post-production. So editors can create and deliver at the speed of thought.

The Magnetic Timeline allows you to easily experiment with story ideas by moving and trimming clips without collisions or sync problems. Use Compound Clips to bundle separate video and audio clips into a single movable package, create Auditions to try out multiple takes in the timeline, and use Synchronized Clips to align video with second-source audio automatically. Color coding makes it easy to identify different types of content, with the ability to customize the look of your timeline while you edit.

Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Easily tag entire clips or clip ranges with metadata for searching, and create Smart Collections that automatically collect content according to a set of custom criteria. Skimming lets you efficiently browse hours of material in a more visual way, so you can identify what you want in seconds.

Create 2D and 3D titles right in Final Cut Pro, apply and modify filters, and use the built-in chroma key for high-quality green- and blue-screen effects. Sip 1 1 0. Expand on the built-in effects with thousands of third-party tools and templates. And for even more control, use Motion to create stunning titles, transitions, generators, and effects you can access from Final Cut Pro.

Final Cut Pro lets you edit multichannel audio using built-in tools for removing background noise and optimizing levels. Adjust multichannel audio files in the timeline or open the inspector for more information and options. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro X for advanced audio mixing.

Quickly encode video using the power of multicore CPUs and high-performance GPUs. Take advantage of presets to deliver ultra-high-quality masters or files optimized for iPhone, iPad, Apple TV, and websites like YouTube and Vimeo. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro.

Multicam

The industry's most advanced multicam editing lets you automatically sync up to 64 angles of video with different formats, frame sizes, and frame rates. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips.

Video noise reduction

Improve the look of archival and low-light images with powerful noise reduction tools that reduce or eliminate grain and video noise. Simple controls let you quickly adjust intensity, and it's easy to change processing order by dragging the effect in the inspector.

Motion and Compressor

Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro. Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. And because Final Cut Pro, Motion, and Compressor all share the same Metal architecture, you'll experience blazing performance and consistent rendering across applications.

Compressor

Advanced color grading.
Every pixel closer to perfection.

Professional color grading tools are built into Final Cut Pro, including a dedicated color inspector with color wheels, color curves, hue/saturation curves, and keyframes to adjust corrections over time. You can work with High Dynamic Range footage on recent Mac systems that display an extended range of brightness. Or connect the all-new Pro Display XDR for the ultimate HDR experience.

Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface.

Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges. https://vkeuqo.over-blog.com/2021/01/pdf-to-epub-converter-6-2-13.html.

Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image.

Work closer to reality than ever before with HDR video. Import, edit, grade, and deliver incredibly lifelike images with Final Cut Pro. High-resolution scopes reflect HDR brightness levels as you edit, and tone mapping lets you easily convert HDR to Standard Dynamic Range output for broadcast. You can view beautiful HDR content on a wide range of Mac computers that use the reserve brightness of the display to show an extended range of light levels.

HDR on Pro Display XDR

View High Dynamic Range video the way it was meant to be seen. The gorgeous new Pro Display XDR delivers 6K resolution and 1000 nits of sustained brightness for HDR editing, grading, and delivery with Final Cut Pro. And setup couldn't be simpler — just connect a single Thunderbolt cable from your Mac to Pro Display XDR to use it as an additional display or video monitor.

ProRes RAW. The flexibility of RAW with the performance of ProRes.

Import, edit, and grade pristine video with RAW data straight from your camera sensor. Work with ProRes RAW files and experience all the creative advantages of RAW with the seamless performance of ProRes. And with Mac Pro and the Afterburner card, you can edit in ProRes RAW faster than ever before.

ProRes performance

Remarkably smooth playback and real-time, multistream editing are part of the ProRes RAW package. The format is optimized for macOS and the latest Mac computers, allowing you to render and export faster than with other RAW formats. And since ProRes RAW files are smaller than standard formats, you can fit more footage on every card.

View the Apple ProRes RAW White Paper

RAW flexibility

Work with untouched image data directly from your camera sensor. Macfamilytree 8 4 3 x 5. RAW files provide maximum flexibility for adjusting the look of your video while extending brightness and shadows — an ideal combination for HDR workflows. And ProRes RAW preserves more of the original image data, making it a great format for archiving.

Workflow extensions. Extend the power of Final Cut Pro.

Work directly with powerful third-party applications — without leaving Final Cut Pro.

Use the Frame.io extension to simplify review and approval. Drag and drop clips and timelines, jump between markers, and review comments and annotations in real time from your Frame.io collaborators.

The Shutterstock extension lets you browse stock photos, videos, and music while you edit. Drag and drop watermarked files into the timeline and easily replace them later with licensed, high-resolution versions.

Connect directly to CatDV and KeyFlow Pro media asset management systems so you can browse, mark, and transfer files from within the Final Cut Pro interface.

Transcribe audio and translate the text to over 50 languages for use in subtitles and captions.

360° video. Take your work further. In every direction.

Newest Final Cut Pro

Final Cut Pro includes a complete toolset for importing, editing, and delivering both monoscopic and stereoscopic 360° video.

360° editing

Import and edit 360° equirectangular footage in Final Cut Pro. Open the 360° viewer to see a headset view of your footage, and take advantage of simple tools for changing orientation, straightening the horizon, removing camera rigs, and more.

360° graphics and effects

Easily add 2D and 3D titles to your 360° video and apply blurs, glows, and other 360° effects. Or create more advanced 360° motion graphics in Motion, then add them directly to your Final Cut Pro project. You can even add 360° video to non-360° projects, using the Tiny Planet effect to create interesting spherical looks and animations.

VR headset playback

Watch your 360° video in real time with a VR headset like the HTC Vive. Choose to mirror the headset view in Final Cut Pro, or turn off mirroring to watch video in the headset while independently controlling a separate view on your monitor.

Closed captions. Open to all.

Final Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services. You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file.

Add an existing caption file to your project and Final Cut Pro automatically connects each caption to the corresponding video or audio clip in your timeline.

Final Cut 10.2

Type captions from scratch — in multiple languages and formats — and watch the text play back in real time right in the viewer.

Attach captions to connected audio or video clips in the timeline so they move in sync with your edit. Fonepaw iphone data recovery crack. It's easy to adjust text, color, location, and timing in the captions inspector. And the enhanced Timeline Index lets you quickly search and select captions, or use captions roles to instantly switch between different versions.

Export captions in the industry-standard CEA-608, iTT, or SRT formats. Or burn them directly into your video. When delivering, you can choose to embed caption metadata in your video file or create a separate sidecar file. Captioned videos can be shared directly to YouTube and Vimeo. And you can send your project to Compressor to include captions in a batch or an iTunes Store package.

Step up from iMovie to Final Cut Pro.

iMovie is the easiest way to start making movies. And when you're ready to ramp up production, it's effortless to switch to Final Cut Pro from iMovie for iOS or iMovie for Mac. You'll cut faster and more precisely with advanced editing tools, improve the look of your projects with third-party plug-ins, and easily integrate video recorded with professional cameras from RED, Sony, Canon, and more. You can import your iMovie projects right into Final Cut Pro, so you won't miss a beat — or a cut — when you upgrade.

Final Cut Pro 10.2.2

Third-party tools to make your workflow flow.

Choose from thousands of custom transitions, titles, and motion graphics. Work directly with powerful applications through workflow extensions in Final Cut Pro. And take advantage of other third-party tools for advanced tracking, EDL and AAF interchange, and more.





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